- Bloomsbury Academic
A Cultural History of Dress and Fashion in the Modern Age
Key Metrics
- Alexandra Palmer
- Bloomsbury Academic
- Hardcover
- 9780857856029
- 9.7 X 6.9 X 0.7 inches
- 1.5 pounds
- History > Reference
- English
Book Description
Over the last century there has been a complete transformation of the fashion system. The unitary top-down fashion cycle has been replaced by the pulsations of multiple and simultaneous styles, while the speed of global production and circulation has become ever faster and more complex. Running in tandem, the development of artificial fibres has revolutionized the composition of clothing, and the increased focus on youth, sexuality, and the body has radically changed its design. From the 1920s flapper dress to debates over the burkini, fashion has continued to be deeply involved in society's larger issues.
Drawing on a wealth of visual, textual and object sources and illustrated with 100 images, A Cultural History of Dress and Fashion in the Modern Age presents essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, and visual and literary representations to illustrate the diversity and cultural significance of dress and fashion in the period.
Author Bio
Alexandra Palmer is the Nora E. Vaughan Fashion Costume Senior Curator and Chair of the Veronika Gervers Research Fellowship in Textiles & Costume at the ROM, and a Co-curator of BIG, the latest exhibit in the Patricia Harris Gallery of Textiles & Costume. She is cross appointed and teaches in Fine Art History at the University of Toronto, and the Graduate Programme in Art History at York University, and the School of Graduate Studies at Ryerson University.
A Canadian born in Greece and raised in England, Alexandra received her Bachelor of Arts in Art History from the University of Toronto, her M.A. in the History of Costume & Textiles from New York University in conjunction with the Costume Institute at the Metropolitan Museum and her PhD in Design History from the University of Brighton.
Before she came to the ROM in 1997 she was Assistant Professor for Craft and Design History at Nova Scotia College of Art. At the ROM she has curated Measure for Measure (1989) in the Samuel European Galleries, Au Courant: Contemporary Canadian Fashion (1997) and Papiers à la Mode for The Institute of Contemporary Culture (2001), as well as Unveiling the Textiles & Costume Collection (spring 2002) , Elite Elegance: Couture in the Feminine Fifties (November 2002- spring 2003) and the exhibits in the Patricia Harris Gallery of Textiles & Costume since it opened in 2007.
Education
B.A., Art History, University of Toronto, 1979
M.A., History of Costume and Textiles (in conjunction with the Costume Institute at the Metropolitan Museum of Art), New York University, 1981
Ph.D., Design History, University of Brighton, England, 1995
Source: University of Toronto
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