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Dior: A New Look, a New Enterprise (1947-57)

Dior: A New Look, a New Enterprise (1947-57)

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  • Alexandra Palmer
  • Victoria & Albert Museum
  • Hardcover
  • 9781851779857
  • 10.9 X 8.7 X 0.7 inches
  • 2.1 pounds
  • Design > Fashion & Accessories
  • English
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Book Description

In 1947 Christian Dior rocked the fashion world with his New Look, which dominated postwar fashion and firmly secured the name of his house in the minds of the public and the fashion industry. He drew on historical models of femininity, the unique skills of Parisian haute couture, and a myriad of suppliers to produce stunning designs that captured a mood of optimism after World War II. Dior also designed and marketed ready-made luxe lines and broke new ground by creating and controlling innovative global licensing agreements for all Dior products, from perfume to stockings, jewelry, bathing suits, and even men's ties. Newly expanded and updated, this absorbing and beautiful book examines the seminal years of Christian Dior, 1947-57, from a truly international perspective.
Dior: A New Look, a New Enterprise (1947-57)

Author Bio

Alexandra Palmer is the Nora E. Vaughan Fashion Costume Senior Curator and Chair of the Veronika Gervers Research Fellowship in Textiles & Costume at the ROM, and a Co-curator of BIG, the latest exhibit in the Patricia Harris Gallery of Textiles & Costume. She is cross appointed and teaches in Fine Art History at the University of Toronto, and the Graduate Programme in Art History at York University, and the School of Graduate Studies at Ryerson University.

A Canadian born in Greece and raised in England, Alexandra received her Bachelor of Arts in Art History from the University of Toronto, her M.A. in the History of Costume & Textiles from New York University in conjunction with the Costume Institute at the Metropolitan Museum and her PhD in Design History from the University of Brighton.

Before she came to the ROM in 1997 she was Assistant Professor for Craft and Design History at Nova Scotia College of Art. At the ROM she has curated Measure for Measure  (1989) in the Samuel European Galleries, Au Courant: Contemporary Canadian Fashion (1997) and Papiers à la Mode for  The Institute of Contemporary Culture (2001), as well as Unveiling the Textiles & Costume Collection (spring 2002) , Elite Elegance: Couture in the Feminine Fifties (November 2002- spring 2003) and the exhibits in the Patricia Harris Gallery of Textiles & Costume since it opened in  2007.

 

Education 

B.A., Art History, University of Toronto, 1979
M.A., History of Costume and Textiles (in conjunction with the Costume Institute at the Metropolitan Museum of Art), New York University, 1981
Ph.D., Design History, University of Brighton, England, 1995

 

 

Source: University of Toronto 

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