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Exhibiting the Empire: Cultures of Display and the British Empire

Exhibiting the Empire: Cultures of Display and the British Empire

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  • John McAleer
  • Manchester University Press
  • Paperback
  • 9781526118356
  • 9.1 X 6.1 X 0.9 inches
  • 1.05 pounds
  • History > Europe - Great Britain - General
  • English
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Book Description

Exhibiting the empire considers how a whole range of cultural products - from paintings, prints, photographs, panoramas and 'popular' texts to ephemera, newspapers and the press, theatre and music, exhibitions, institutions and architecture - were used to record, celebrate and question the development of the British Empire. It represents a significant and original contribution to our understanding of the relationship between culture and empire. Written by leading scholars from a range of disciplinary backgrounds, individual chapters bring fresh perspectives to the interpretation of media, material culture and display, and their interaction with history. Taken together, this collection suggests that the history of empire needs to be, in part at least, a history of display and of reception. This book will be essential reading for scholars and students interested in British history, the history of empire, art history and the history of museums and collecting.
Exhibiting the Empire: Cultures of Display and the British Empire

Author Bio

Dr John McAleer is an Associate Professor in History at the University of Southampton.

I am a historian of the British Empire. My work focuses on the British encounter and engagement with the wider world in the eighteenth and nineteenth centuries, situating the history of empire in its global and maritime contexts. I am interested in the relationships, interactions and patterns of exchange created by the British Empire, and in assessing the impact of these experiences on both British and colonial societies.

Before joining the Department, I was Curator of Imperial and Maritime History at the National Maritime Museum, Greenwich. During my time at the museum, I worked on the development and delivery of two gallery projects, focusing on Atlantic and Indian Ocean history respectively. I continue to be interested in the role of material culture and museums in representing the history of empire.

Research Interests 

My research is directed towards understanding, assessing and evaluating Britain’s place in the wider world: the manifestation and impact of empire on British society and culture; its effect on ‘peripheral’ communities (and vice versa); its fundamentally entangled nature (geographically, politically, ethnically); and the nature of the relationship between science, material culture, exploration and empire.

My latest monograph, Britain’s Maritime Empire: Southern Africa, the South Atlantic and the Indian Ocean, 1763–1820, explores the ways in which British networks and institutions, such as the East India Company, facilitated linkages and connections in the wider Indian Ocean world. This work aims to problematize and re-evaluate notions of ‘core’ and ‘periphery’ by considering the British presence in the southern Atlantic and Indian Oceans, especially the Cape of Good Hope, St Helena and Mauritius.

Building on this work, I am also interested in the contribution of islands to the development of the British Empire. This is a theme that I am actively exploring through an AHRC-funded network, ‘An Empire of Islands: Concepts, Connections and Collections’.

I also have a long-standing interest in the history of museums, collecting and their complex relationships with empire, both historically and today. An edited collection entitled Curating Empire brought together a series of case studies that used the medium of museums and collections to investigate how global connections, networks and experiences affected people in a range of societies. More recently, Exhibiting the Empire, co-edited with John MacKenzie, explored various cultures of display and their impacts on the representation of the British Empire.

I am a fellow of the Royal Historical Society and I sit on the council of the Hakluyt Society. 

 

 

Source: University of Southampton

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