- Random House Trade
Last Witnesses: An Oral History of the Children of World War II
Key Metrics
- Svetlana Alexievich
- Random House Trade
- Paperback
- 9780399588761
- 7.8 X 5.2 X 0.8 inches
- 0.5 pounds
- History > Military - World War II
- English
Book Description
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST
For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing a new kind of literary genre, describing her work as a history of emotions . . . a history of the soul.
Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich's collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded--a trauma that would change the course of the Russian nation.
Collectively, this symphony of children's stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals.
Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war.
Praise for Last Witnesses
There is a special sort of clear-eyed humility to [Alexievich's] reporting.--The Guardian
A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses.--The New Republic
A profound triumph.--The Big Issue
[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict.--The Washington Post
Author Bio
I’ve been searching for a genre that would be most adequate to my vision of the world to convey how my ear hears and my eyes see life. I tried this and that and finally I chose a genre where human voices speak for themselves. Real people speak in my books about the main events of the age such as the war, the Chernobyl disaster, and the downfall of a great empire. Together they record verbally the history of the country, their common history, while each person puts into words the story of his/her own life.
Today when man and the world have become so multifaceted and diversified the document in art is becoming increasingly interesting while art as such often proves impotent. The document brings us closer to reality as it captures and preserves the originals. After 20 years of work with documentary material and having written five books on their basis I declare that art has failed to understand many things about people.
But I don’t just record a dry history of events and facts, I’m writing a history of human feelings. What people thought, understood and remembered during the event. What they believed in or mistrusted, what illusions, hopes and fears they experienced. This is impossible to imagine or invent, at any rate in such multitude of real details. We quickly forget what we were like ten or twenty or fifty years ago. Sometimes we are ashamed of our past and refuse to believe in what happened to us in actual fact.
Art may lie but document never does. Although the document is also a product of someone’s will and passion. I compose my books out of thousands of voices, destinies, fragments of our life and being. It took me three-four years to write each of my books. I meet and record my conversations with 500-700 persons for each book. My chronicle embraces several generations. It starts with the memories of people who witnessed the 1917 Revolution, through the wars and Stalinist gulags, and reaches the present times. This is a story of one Soviet-Russian soul.
Source: alexievich.info
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