Routledge
Poetics of Cinema
Key Metrics
- David Bordwell
- Routledge
- Paperback
- 9780415977791
- 9.9 X 6.9 X 1.2 inches
- 2 pounds
- Performing Arts > Film - History & Criticism
- English
Secure TransactionBook Description
Bringing together twenty-five years of work on what he has called the historical poetics of cinema, David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? For Bordwell, films are made things, existing within historical contexts, and aim to create determinate effects. Beginning with this central thesis, Bordwell works out a full understanding of how films channel and recast cultural influences for their cinematic purposes. With more than five hundred film stills, Poetics of Cinema is a must-have for any student of cinema.
Author Bio
David Bordwell is Jacques Ledoux Professor of Film Studies, Department of Communication Arts, University of Wisconsin–Madison. Professor Bordwell has written several books focusing on the history of film style, film narration, and the poetics of cinema.
In 2013, film historian and theorist David Bordwell deposited approximately 125 film prints at the Academy Film Archive, all in 35mm. The David Bordwell Collection is particularly noteworthy for the strength of its Hong Kong holdings, some of which are unavailable in any other English-translated format. The collection includes such titles as “Crippled Avengers” (1979), “Once Upon a Time in China I-V” (1991-1994), “Iron Monkey” (1993), “Green Snake” (1994), and “Naked Killer” (1995), as well as non-Hong Kong titles such as “Desperately Seeking Susan” (1985), “Prospero’s Books” (1991), and “The Long Day Closes” (1992).
Research Interests
Introduction to Graduate Study in Film
Seminar in Film Analysis
Seminar in Contemporary Film Theory
Seminar in Contemporary Film Criticism
Narrative Theory and Film
Japanese Cinema
Japanese Cinema of the 1930s
Technology and Technique in American Cinema
Space and Narration in the Fiction Film
The Films of Jean-Luc Godard
Cognitive Poetics of Cinema
Stylistic Analysis of Film
The Film Spectator
Contemporary Asian Cinema
Comparative Film Analysis
Education
- B.A. (English) State University of New York at Albany, 1969
- M.A. (Speech and Dramatic Arts, concentration in Film) University of Iowa, 1972
- Ph.D. (Speech and Dramatic Arts, concentration in Film) University of Iowa, 1974.
- Honorary degree: Doctora philosophiæ honoris causa, University of Copenhagen. Awarded 13 November 1997.
Source: davidbordwell.net and Oscars.org
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