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Poetics of Dislocation

Poetics of Dislocation

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Key Metrics

  • Meena Alexander
  • University of Michigan Press
  • Hardcover
  • 9780472070763
  • 8 X 5.6 X 0.8 inches
  • 0.75 pounds
  • Literary Criticism > Poetry
  • English
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Book Description

Poetics of Dislocation sets the work of contemporary American poetry within the streams of migration that have made the nation what it is in the twenty-first century. There are few poets better qualified to muse on that context than Meena Alexander, who spent her life studying at prestigious institutions around the globe before settling in the United States to work on her acclaimed body of poetry.

Part of the University of Michigan Press's award-winning Poets on Poetry series, Poetics of Dislocation studies not only the personal creative process Alexander uses, but also the work of other prominent writers. Alexander discusses what it means to come to America as an adult to write poetry, and her place---and that of others---in the collection of cultures that makes up this country. She outlines the dilemmas that face modern immigrant poets, including how to make a place for oneself in a new society and how to write poetry in a time of violence worldwide.

Poetics of Dislocation

Author Bio

Born in Allahabad, India, poet Meena Alexander was raised in Kerala and Sudan. She earned a BA at Khartoum University and a PhD at Nottingham University. Described as “undoubtedly one of the finest poets of contemporary times” by The Statesman (India), she was the author of numerous collections of poetry, including Atmospheric Embroidery (2018), Birthplace with Buried Stones (2013), and PEN Open Book Award-winner Illiterate Heart (2002). In her poetry, which has been translated into several languages, she explores migration, trauma, and reconciliation. 

Discussing how her fluency in multiple languages informs her poetry, Alexander told Ruth Maxey of the Kenyon Review, “I have always grown up in a world where there were things one did not understand, because there were languages that were not completely accessible … I think this is a very good hedge against a certain kind of rational understanding, the presumption of linguistic clarity or transparency, post-Enlightenment, that sense that everything can be known and a light can be shone into all parts of one’s thought.”
 
Alexander’s prose includes the memoir Fault Lines (1993, expanded in 2003), the novels Manhattan Music (1997) and Nampally Road (1991), the essay collections Poetics of Dislocation (2009) and The Shock of Arrival: Reflections on Postcolonial Experience (1996), as well as the critical studies Women in Romanticism: Mary Wollstonecraft, Dorothy Wordsworth and Mary Shelley (1989) and The Poetic Self: Towards a Phenomenology of Romanticism (1979). She is the editor of Indian Love Poems (2005) and Name Me a Word: Indian Writers Reflect on Writing (2018).
 
Alexander’s honors included grants and fellowships from the John Simon Guggenheim Foundation, National Endowment for the Humanities, Fulbright Foundation, Rockefeller Foundation, National Council for Research on Women, Arts Council of England, the Imbongi Yesizwe International Poetry Award, and New York Foundation for the Arts, as well as the South Asian Literary Association’s Distinguished Achievement Award in Literature. Alexander taught at the University of Hyderabad, Columbia University, and Al Quds University, and was a National Fellow at the Indian Institute for Advanced Study, Shimla. 

She lived in New York City for many years, where she was Distinguished Professor of English at the Graduate Center/Hunter College, CUNY. She died in late 2018.

 

Source: PoetryFoundation.org 

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