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Slave Narratives After Slavery

Slave Narratives After Slavery

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Key Metrics

  • William L Andrews
  • Oxford University Press, USA
  • Hardcover
  • 9780195179422
  • 9.3 X 6.4 X 1.3 inches
  • 1.55 pounds
  • Biography & Autobiography > General
  • English
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Book Description

The pre-Civil War autobiographies of famous fugitives such as Frederick Douglass, William Wells Brown, and Harriet Jacobs form the bedrock of the African American narrative tradition. After emancipation arrived in 1865, former slaves continued to write about their experience of enslavement and their upward struggle to realize the promise of freedom and citizenship. Slave Narratives After Slavery reprints five of the most important and revealing first-person narratives of slavery and freedom published after 1865. Elizabeth Keckley's controversial Behind the Scenes (1868) introduced white America to the industry and progressive outlook of an emerging black middle class. The little-known Narrative of the life of John Quincy Adams, When in Slavery, and Now as a Freeman (1872) gave eloquent voice to the African American working class as it migrated from the South to the North in search of opportunity. William Wells Brown's My Southern Home (1880) retooled the image of slavery delineated in his widely-read antebellum Narrative and offered his reader a first-hand assessment of the South at the close of Reconstruction. Lucy Ann Delaney used From the Darkness Cometh the Light (1891) to pay tribute to her enslaved mother and to exemplify the qualities of mind and spirit that had ensured her own fulfillment in freedom. Louis Hughes's Thirty Years a Slave (1897) spoke for a generation of black Americans who, perceiving the spread of segregation across the South, sought to remind the nation of the horrors of its racial history and of the continued dedication of the once enslaved to dignity, opportunity, and independence.
Slave Narratives After Slavery

Author Bio

Dr. William L. Andrews is E. Maynard Adams Professor of English in UNC's College of Arts and Sciences. Professor Andrews has authored or edited more than 40 books on a wide range of African American literature and culture. He has won fellowships from the National Endowment for the Humanities, the American Council of Learned Societies and the Center for Advanced Study in the Behavioral Sciences.

His first book, "The Literary Career of Charles W. Chesnutt" (1980), deals with a seminal figure in the development of African American and Southern American prose fiction.

"The Norton Anthology of African American Literature" (1997), "The Oxford Companion to African American Literature" (1997) and "The Literature of the American South: A Norton Anthology" (1997), are three big collaborative projects that he has co-edited.

Andrews is series editor of "North American Slave Narratives, Beginnings to 1920" (http://docsouth.unc.edu/neh), a complete digitized library of autobiographies and biographies of North American slaves and ex-slaves, funded by the National Endowment for the Humanities, Ameritech and the University of North Carolina at Chapel Hill. He continues to study the historical linkages between white and black writers in the formation of American literature, African American literature and Southern literature.

Research Interests 

Southern LiteratureAmerican Literature to 1900African American LiteratureSlaveryDigital Humanities

Education 

Education

  • B.A., 1968, Davidson College
  • M.A., 1970, Ph.D., 1973, University of North Carolina-Chapel Hill

 

 

Source: The University of North Carolina at Chapel Hill 

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