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Pauline Fairclough
Cambridge University Press

The Cambridge Companion to Shostakovich

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AuthorPauline Fairclough
PublisherCambridge University Press
PublishedJun 05 2012
Book FormatPaperback
ISBN-139780521603157
Dimensions9.5 X 6.8 X 1 inches
Weight 1.8 pounds
BISAC
CategoriesMusic > Individual Composer & Musician
LanguageEnglish

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Book Description

As the Soviet Union's foremost composer, Shostakovich's status in the West has always been problematic. Regarded by some as a collaborator, and by others as a symbol of moral resistance, both he and his music met with approval and condemnation in equal measure. The demise of the Communist state has, if anything, been accompanied by a bolstering of his reputation, but critical engagement with his multi-faceted achievements has been patchy. This Companion offers a starting point and a guide for readers who seek a fuller understanding of Shostakovich's place in the history of music. Bringing together an international team of scholars, the book brings research to bear on the full range of Shostakovich's musical output, addressing scholars, students and all those interested in this complex, iconic figure.

Author Bio

I am a cultural historian specialising in Soviet music and the music of Dmitri Shostakovich. My first book, A Soviet Credo: Shostakovich's Fourth Symphony (Ashgate, 2006) was an in-depth study of Shostakovich's symphonic masterpiece, which had to wait twenty five years for its premiere in the post-Stalin era.

My second monograph, funded by an AHRC Early Career Fellowship and a British Academy Mid-Career Fellowship, was Classics for the Masses: Shaping Soviet Musical Identity Under Lenin and Stalin (Yale, 2016), which was co-winner of the BASEES Women's Forum Book Prize in 2018. I have edited four volumes: The Cambridge Companion to Shostakovich (with David Fanning, Cambridge University Press, 2008), Shostakovich Studies 2 (Cambridge University Press, 2010), Twentieth Century Music and Politics: Essays in memory of Neil Edmunds (Ashgate, 2012) and 1917 and Beyond: Continuity, Rupture and Memory in Russian Music (MHRA, 2019, with Philip Bullock).

My biography of Shostakovich, written for Reaktion Books' 'Critical Lives' series, was published in 2019.

From 2021-23 I hold a Leverhulme Major Research Fellowship and will be writing a monograph on Shostakovich's opera Lady Macbeth of Mtsensk for Oxford University Press.

I am an elected Vice-President of the Royal Musical Association, co-editor of the CUP journal Twentieth-Century Music, General Editor of Routledge's Russian and East European Music series and I am on the editorial board of the Moscow journal Iskusstvo muzïki. Teoriya i istoriya (The Art of Music. Theory and History). Together with Olga Digonskaya of the Shostakovich Archive in Moscow,

I run the 'Shostakovich and his Epoch' study group of the International Musicological Society.

Source: University of Bristol

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