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The Scarith of Scornello: A Tale of Renaissance Forgery

The Scarith of Scornello: A Tale of Renaissance Forgery

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  • Ingrid D Rowland
  • University of Chicago Press
  • Paperback
  • 9780226730370
  • 8.06 X 5.3 X 0.63 inches
  • 0.7 pounds
  • History > Europe - Italy
  • English
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Book Description

Bored teenager Curzio Inghirami staged perhaps the most outlandish prank of the seventeenth century when he hatched a wild scheme that preyed on the Italian fixation with ancestry by forging an array of ancient Latin and Etruscan documents. Stashing the counterfeit treasure in scarith (capsules made of hair and mud) near Scornello, Curzio reeled in seventeenth-century Tuscans who were eager to establish proof of their heritage and history. However, despite their excitement, none of these proud Italians could actually read the ancient Etruscan language, and they simply perpetuated the hoax. Written with humor and energy by Renaissance expert Ingrid Rowland, The Scarith of Scornello traces the career of this young scam artist whose findings reached the Vatican shortly after Galileo was condemned by the Inquisition, inspiring participants on both sides of the affair to clash again--this time over Etruscan history. In her investigation of this seventeenth-century caper, Rowland captivates readers with her obvious delight in Curzio's far-reaching prank.

Rowland reconstructs the whole story with flair and zest.--Merle Rubin, Los Angeles Times Book Review

Rowland skillfully weaves her way through this long-forgotten controversy, framing it within the cultural and political struggles between Rome and Tuscany, and the larger intellectual debates of the period. At every turn she provides fascinating detail about the workings of the scholarly world. . . . In a mere 150 pages . . . she summons up a world and an age.William Grimes, New York Times

A remarkable book . . . Rowland's account . . . has the verve of a good detective story.Joseph Connors, New York Review of Books

A fascinating, erudite book.--Spectator

The Scarith of Scornello: A Tale of Renaissance Forgery

Author Bio

Prof. Ingrid Rowland writes and lectures on Classical Antiquity, the Renaissance, and the Age of the Baroque for general as well as specialist readers. 

A frequent contributor to the New York Review of Books, she is the author of The Culture of the High Renaissance: Ancients and Moderns in Sixteenth-Century Rome (1998), The Scarith of Scornello: A Tale of Renaissance Forgery (2004), From Heaven to Arcadia (2005), Giordano Bruno, Philosopher/Heretic (2008), From Pompeii: The Afterlife of a Roman Town (2013), Villa Taverna (2014), and The Collector of Lives: Giorgio Vasari and the Invention of Art (2017) co-written with Noah Charney. In 2009, she was awarded the Society for Italian Historical Studies's Howard R. Marraro Prize for Giordano Bruno. 

Rowland has also published translations of Vitruvius' Ten Books of Architecture (1999) and Giordano Bruno’s Italian dialogue On the Heroic Frenzies (2014), an edition of the correspondence of Agostino Chigi from a Vatican Library manuscript (2001), and the exhibition catalog The Ecstatic Journey: Athanasius Kircher in Baroque Rome (2000). Her latest book is The Divine Spark of Syracuse (2018).

As an Associate Professor of Art History at the University of Chicago, she received the Quantrell Award for Excellence in Undergraduate Teaching. 

Prof. Rowland previously taught at UCLA and Columbia University, as well as in the Rome programs of St. Mary's College and the University of California, Irvine. After completing a BA in Classics at Pomona College, she earned her Master's and Ph.D. degrees in Greek Literature and Classical Archaeology at Bryn Mawr College. 

She has been a Fellow of the American School of Classical Studies at Athens, the American Academy in Rome, the Villa I Tatti in Florence and the Getty Research Institute in Los Angeles. She is a member of the American Academy of Arts and Sciences and a Corresponding Member of the Accademia dei Sepolti of Volterra and the Accademia degli Intronati of Siena. 

 

Source: University of Notre Dame School of Architecture 

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